Using Ozone 9’s new processing designed to enhance bass sounds, this feature brings clarity to the low end and gives a well-defined foundation for each track.
Low End Focus is the first line of defense against a muddy or sloppy low end in a mix. Weak-sounding drums can be corrected with one small boost that can save hours of EQ surgery. For example, users can add presence to vocals without affecting the midrange, or eliminate muddy low end by slightly lowering the bass guitar. Master Rebalance provides Ozone 9 users with instrument levels that can be corrected or changed without needing the original tracks. Ozone 9’s Tonal Balance Control can now talk to more iZotope plug-ins in the session and plug-in performance is improved for faster work, smoother metering, and resizable windows, helping users get rid of any uncertainty on whether music is ready for release. With features such as its expanded Master Assistant, users can dial in the sonic character they desire, from warm analog to transparent loudness for streaming.
Ozone 9 features a new take on low end processing, new real-time instrument separation, and fast workflows powered by machine learning. IZotope has upgraded their excellent Ozone mastering suite to version 9.0.
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